Selasa, 28 September 2010

[G798.Ebook] Download PDF Analyzing Talk in the Social Sciences: Narrative, Conversation and Discourse Strategies, by Katherine Bischoping, Amber Gazso

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Analyzing Talk in the Social Sciences: Narrative, Conversation and Discourse Strategies, by Katherine Bischoping, Amber Gazso

Talk is one of the main resources available to qualitative researchers. It offers rich, meaningful data that can provide real insights and new perspectives. But once you have the data how do you select an appropriate means of analysis? How do you ensure that the approach you adopt is the best for your project and your data?

The book will help you choose strategies for qualitative analysis that best suit your research. It walks you through key decisions, provides actionable game plans and highlights the advantages and challenges of the main approaches. It is packed full of real examples designed to showcase the different tools you might use to meet your own objectives.

Each section of the book focuses on one popular strategy for analyzing talk-based data:

  • Narrative Analysis
  • Conversation Analysis
  • Discourse Analysis�

Taken together these sections will help you to fine-tune the link between your primary research question and your methods; to ensure that your theoretical stance fits with your methods; and to reason through your analysis in a way that will be recognizable to the intellectual communities of narrative, conversation, or discourse analysts.

This book is both starting point and map for any social scientist looking to strategically and purposefully analyse talk data.

  • Sales Rank: #3180252 in Books
  • Published on: 2015-12-09
  • Released on: 2015-12-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.53" h x .55" w x 6.69" l, .95 pounds
  • Binding: Paperback
  • 240 pages

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Jumat, 24 September 2010

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  • Published on: 1600
  • Binding: Hardcover

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Integrating original texts with explanations, interpretations, and theory, Introduction to Mythology: Contemporary Approaches to Classical and World Myths, Third Edition, introduces students to a wide range of myths drawn from sources all around the world and approached from various critical perspectives. The third edition strengthens its global coverage with two new chapters: Chapter 11, "Mesoamerica: Popol Vuh," and Chapter 43, "The Vampire as Hero: Tales of the Undead in a Contemporary Context."

An innovative pedagogical structure helps students students discern the complex web of literary allusions that characterize mythological texts.

New! A "Myths Across the World" foldout map at the front of the text shows the regional distribution of all the myths discussed in the book

New! A global locator map at the beginning of each chapter situates the myths in their geographical context

Running margin notes provide cross-references and explanations of terms

A glossary of deities, an illustrated timeline, and suggested readings offer additional resources

A vibrant art program features more than 200 illustrations, photographs, and maps

A Student's Website at www.oup.com/us/thury contains chapter objectives and summaries, key terms, study questions, self-tests, flashcards, and related links

  • Sales Rank: #10935 in Books
  • Brand: Brand: Oxford University Press, USA
  • Published on: 2012-04-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.30" w x 9.90" l, 3.20 pounds
  • Binding: Paperback
  • 816 pages
Features
  • Used Book in Good Condition

About the Author
Eva Thury is Associate Professor of English at Drexel University. Margaret Devinney is Associate Professor of German at Temple University.

Most helpful customer reviews

11 of 11 people found the following review helpful.
Same as 2nd edition
By John
Great book but I'm giving it 2 stars because it's nearly identical to the 2nd edition. Don't make your students pay an outrageous amount for the 3rd edition.

2 of 2 people found the following review helpful.
Required book, but I kept it for a reason
By Shannon
I loved this book almost as much as I loved this class. It doesn't just center around what most people think of as mythology. It goes far beyond Greek and Roman. It gives insight into older and newer mythology, it gives a comprehensive look at mythology as a conceot and several views from which to perceive it. I thought I knew about mythology. Now I know how little I thought I knew.

2 of 2 people found the following review helpful.
A great, inclusive text
By Laura
My favorite part of this textbook was that it included mythos from a variety of different cultures across the world. It provided an inclusive look at varying mythologies, connecting them together with explanatory chapters guiding your reading of the passages. Very insightful and informative.

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Kamis, 16 September 2010

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The concept of global cultures such as postcolonial, hybrid, nationalism, and cosmopolitanism are common. This book aims to expose the drama played out under the guise of globalism and to present a critique of cosomopolitanism, while exploring forces acting against globalism.

  • Published on: 1997
  • Binding: Paperback
  • 380 pages

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  • Sales Rank: #625775 in Books
  • Published on: 1992-03-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .87" w x 6.00" l, 1.24 pounds
  • Binding: Paperback
  • 376 pages
Features
  • ISBN13: 9780306804687
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Joanne Gordon is Head of the Directing Program at California State University. Art Isn't Easy, writeen with the full cooperation of Sondheim himself, is her first book.

Most helpful customer reviews

26 of 26 people found the following review helpful.
Sondheim fan? Wanna become one?
By Sarah E. Morin
This book takes us musical-by-musical through some of the most famous and artistically valuable of Sondheim's musicals (the latest entry being Assassins). Each chapter looks at the musical with a critical eye (or listens with a critical ear, as the case may be) and responds to criticism about the musical in question. This is not a book simply about selling Sondheim - when the author is unimpressed, she lets us know. But Gordan finds much to admire in Sondheim's musicals, and helps us to appreciate that. Each chapter outlines in detail the plot, characters, and songs - especially useful for in-depth study. You can't get much more specific without actually taking out the libretto or following along in the score! All her arguments are well-founded and supported with examples from the text. The use of lyrics is especially appropriate. This book is especially valuable from a literary and theatrical standpoint. The observations on the music itself are correct, but not plentiful, as Gordan's expertise is in theatre, not music. Accessible to the casual audience member and the Sondheim groupie.

1 of 3 people found the following review helpful.
Good But Flawed Sonheim Book
By Larry Gevirtz
The book provided a reasonably good review of the Broadway career of Stephen Sondheim. However, the author is too much of an avowed Sondheim fan, and tends to provide only a one-sided, superpositive view of Sondheim's oeuvre. His misses (e.g., Merrily We Roll Along) are glossed over. Still, for Sondheim devotees, this is a helpful book.

19 of 19 people found the following review helpful.
An Academic View of the Musicals of Sondheim
By Matthew Kopans
Of all the books currently published on Sondheim's musicals, Gordon gives the best academic treatment to his works. Mainly a formal analysis of the shows, she peppers in enough historical and biographical facts to provide any reader with a better understanding of the plays. The chapter on _Sunday_ is particularly good. It does help to be familiar with the shows before reading, as Gordon wastes little time on plot synopsis. A must for any Sondheim scholar.

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Selasa, 14 September 2010

[K668.Ebook] Fee Download Encyclopedia Gothica, by Liisa Ladouceur

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Encyclopedia Gothica, by Liisa Ladouceur

Encyclopedia Gothica, by Liisa Ladouceur



Encyclopedia Gothica, by Liisa Ladouceur

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Encyclopedia Gothica, by Liisa Ladouceur

Encyclopedia Gothica is a guide through that shadowiest of subcultures: modern Goths. It collects and defines more than 600 words and phrases used by these children of the night so that you too can engage in conversations about deathhawks and rivetheads and who is more u�bergoth: Bela Lugosi or Robert Smith. Compiled by acclaimed Goth journalist and poet Liisa Ladouceur, it gives readers insight into the unique vernacular of this fascinating community, describing in detail and with black humour the fashion, music, and lifestyle as well as sharing insider slang such as Baby Bat, Corp Goth and the Gothic Two-Step, and the first ever Goth Band Family Tree. From absinthe to zombies, it’s the Encyclopedia Gothica!

  • Sales Rank: #1150197 in Books
  • Published on: 2011-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.60" h x 1.10" w x 5.60" l, 1.40 pounds
  • Binding: Hardcover
  • 313 pages

Review
"A wickedly funny portrait of this community in black…If you're the sort who gives out gifts on Hallow's Eve, Encyclopedia Gothica is ideal for babybats and elder goths who'll appreciate the wealth of reminders of the experiences that make up goth life." —NOW Magazine (October 2011)

"We knew that we were going to like this book from the very first page. . . . Ladouceur is a rare gem of a commenter that has the ability not only to laugh at herself, but to be able to get you to laugh at yourself too." —www.HoustonPress.com (October 2011)

"Ladouceur has compiled a thorough and amusing encyclopedia about all-things-Goth . . . Whether you want to read about Nosferatu, Goth Juice or mall Goths you'll find brief and truly informative segments in Encyclopedia Gothica." —www.AntiMusic.com

"Encyclopedia Gothica, contrary to what you might think of goth culture, doesn't take itself too seriously. Just the opposite: Ladouceur's humour is a welcome rarity in an oft-misunderstood subculture." —Maclean's (November 2011)

"For those who continue to fear Goths, this book is a powerful antidote. Despite their spiky, menacing exterior, Encyclopedia Gothica details a culture as harmless and geeky as your average Star Wars fanboy or Kiss Army foot soldier." —National Post (November 2011)

"Anyone who identifies as a Goth but wishes that people would stop asking what that means now has a book that they can point people to. Including illustrations from the talented Gary Pullin, Encyclopedia Gothica is the essential Goth reference whether you're wondering who Sisters of Mercy are or what absinthe is (and why Marilyn Manson has his own brand of the green stuff)." —www.GeeksOfDoom.com

About the Author

Liisa Ladouceur is a music and culture journalist. She writes a music column for Rue Morgue magazine and can be heard on the�weekly all-horror podcast on Rue Morgue Radio. She has been recognized as a Goth expert on numerous television programs and hosted the 2010 Gothic Toronto literary event at the Luminato Festival. Gary Pullin is an illustrator and the art director for Rue Morgue magazine. They both live in Toronto.

Excerpt. � Reprinted by permission. All rights reserved.
What Is “What Is Goth”?

Ask a Goth person “What is Goth?” and they’ll likely tell you, “I’m not Goth.” Which is a sure sign that they are, in fact, %666 Goth. If you find this confusing, this book is for you. If this makes perfect sense, this book is for you — but it is also about you.

It’s no wonder that the G–word perplexes both insiders and on–lookers alike. This one hard–working four–letter word has been asked to define so many things: music, fashion, architecture, typefaces, literature, cinema, a Germanic tribal horde and, for about 30 years now, the kind of people prone to hanging out in graveyards sipping red wine and pretending it’s blood while reading Shelley aloud and contemplating the bleakness of existence (and/or holing up in their bedrooms with Joy Division records). At least that’s who one might think a Goth person is by the way we are most often portrayed in news reports and the kind of articles that pop up around Halloween or whenever a teenager wearing a black T–shirt shoots someone.

I say “we” here because I am, unabashedly, Goth.

I wasn’t born that way, a daughter of darkness. But it didn’t take much. In fact it took exactly 4 minutes and 20 seconds of television. MuchMusic, then the Nation’s Music Station in Canada, had just come to my area and, being obsessed with popular music, I watched every day after school. And on one afternoon in the late 1980s Much played “She Sells Sanctuary” by a British band I didn’t know, The Cult. Like most videos of the era, it was a simple performance clip, the band lip–synching and fake–playing in a studio — in this case one bathed in psychedelic coloured lights. It’s not, viewed today, particularly Goth. (Singer Ian Astbury is dressed like a hippie and guitarist Billy Duffy has short white blond hair, to start.) But its opening moments — a red curtain parts to reveal a shadowy, Shaman–type figure all in black slowly swirling his hands around in a fog — hypnotized me like nothing I’d seen before. And the song itself — with its incessant drumbeat, intoxicating echoey guitar riffs and infectiously simple, haunting refrain about the world dragging us down was my first exposure to something that bombastically melodramatic. I knew melancholy from poetry, but this was ache you could dance to. For me, being exposed to “She Sells Sanctuary” was like getting a blood transfusion: I woke up afterwards and my insides were completely different. I had a totally new pulse.

After The Cult came The Cure. And Love and Rockets and Bauhaus and The Sisters of Mercy and Siouxsie and everything else I could get my hands on in a small town, pre–internet. A random photo of three scary looking guys in a free magazine turned me on to Skinny Puppy, and from them came the discovery of industrial music. By this point, I had moved to Toronto, knew the word “Goth,” and was well on my way to exploring everything that meant. Ultimately, I started publishing my own fanzine (The Ninth Wave, named after an album side by Kate Bush) and guest co–hosting a campus radio show, Beyond the Gates of Hell, with the Gothiest boy in town. It was about this time that I started being asked, “What is Goth?” A lot. Especially by the media.

On many occasions I primped for evening news cameras or wayward reporters and tried my best to explain what the hell all this was. I would declare how we are not (all) suicidal or satanic, speak haughtily of a love for poetry and philosophy and beauty and romance, trying my best to convey, in a way that just might make it into the inevitably truncated soundbite, just what is Goth.

I was, of course, doomed.

Since it first crawled out of the clubs of England and America in the death throes of the 1970s, the subculture we’ve come to call Goth has been difficult to explain. At the start, these denizens of the night were known as batcavers or death rockers, the music was generally considered part of post–punk and the clothes were simply … black. Mystery lingers over who first appropriated the word “Goth” to describe this new kind of young freak; my beloved Ian Astbury (one of those Goth icons who insists he’s not Goth at all) is just one who has staked his claim to it.

By the mid–1980s, the G–word was well established, and a collective consciousness evolved around the term. Gothic rock was a legit musical genre. There were Goth–specific shops, Goth magazines and Goth festivals. Goth was now a somewhat recognizable thing, a world of Victorian– or Medieval–inspired sense and sensibilities co–mingling with punk rock and S&M attitude and fashion. And the diverse crew of anarchists, art school brats and horror movie fans who had started it seemed to have been distilled into a fairly homogenous bunch — one quite easy to identify. Or so we thought. Thanks to explosion of the internet in the mid–1990s these people — many of them misfits in small towns around the globe — started to find each other in great numbers. And as they chatted amongst themselves, they discovered that as much as they were all drawn to what had come to be known as Goth, they weren’t necessarily alike. A popular question became, “Is [this thing I like/hate] Goth?” Because, like any good species seeking immortality, the subculture was mutating, drawing upon new influences such as cyberpunk, rave culture and anime and finding new ways of expressing a devotion to the dark side beyond black eyeliner and backcombed hair. The different factions named themselves: rivetheads, Cybergoths, Romantigoths, etc. Each new wave brought their own codes of conduct and methods of communication. For the one thing these sub–groups had in common was that each sought to distinguish itself from the others, and from youth culture trends at large. And so, Goths reevaluated what the G–word meant, twisting it into new variations to suit the bewildering number of subgenres and sub–subgenres, so much so that terms such as Trad Goth emerged to distinguish the oldschool original folk from the new.

Most helpful customer reviews

13 of 14 people found the following review helpful.
Dance The Ghost With Me. . . .
By M. Gheesling
To distill an entire subculture into one book isn't any easy task. In the case of "Encyclopedia Gothica," it's even harder as Goths are constantly asking the question "What is Goth ?" and reinventing the definition. Surely, there will be at least one Goth who reads this book and exclaims "They included Band X ?! They're not Goth !" or "Why wasn't Band Y included ? They're G.A.F.!" (Exclamation #2 was my refrain when I discovered that the band This Ascension was missing an entry. By the way, if you don't know what G.A.F. is, you need this book.)

Nevertheless, the author does an admirable job of including the right stuff and leaving out the superfluous. Enduring Goth stuff and stuff that Goths have loved forever (Sisters of Mercy; Kambriel, the fashion designer; Hammer Horror films; Snakebite cocktails, etc.) are included while flash-in-the-pan micro-trends and the promising-but-too-new are not. (Sorry, Coilhouse magazine.)

What elevates Encyclopedia Gothica above other reference works are the wry opinions of the author. With typical Goth snarkiness, what could have been a dry reference work becomes much more entertaining, even if you don't agree with the author's viewpoints. (Personally, I didn't think Winona Ryder was all that bad in "Bram Stoker's Dracula," although she was upstaged by Sadie Frost. )

In any case, Encyclopedia Gothica, in short order, has earned a place on my bookshelf right next to my copies of Baudelaire's "Flowers of Evil" and Voltaire's "What Is Goth ?" and "Paint It Black: The Guide To Gothic Homemaking." All dark hearts should get a copy. . . .

7 of 7 people found the following review helpful.
Haunting
By Kyle Bernstein
This is a beautifully presented, lovingly-written account of the who's who, what's what, origins, and history of the Gothic arts. Less "Goth for Dummies" than a well-organized and comprehensive guide to the wonderfully dark underworld by one who has obviously lived it. The lovely cover art makes this a great (Halloween) gift for your favourite night person. It would fell right at home on the shelf amongst the Poppy Z. Brite and Ann Rice or displayed on the mantle or coffee table.

1 of 1 people found the following review helpful.
Basic and Useful
By P. G. Wickberg
I lay no claim to be a Goth, even an Elder Goth, but I do admit to being Goth-curious (don't know what those mean? That's why you need this book!) For those looking for a way to learn more about them without having to put on fishnet, striped tights or eyeliner, Liisa (that's how the book spells it, no matter what Amazon says...) Ladouceur gives almost 300 pages of definitions of all things Goth (not Gothic - an important difference, although she does mention the Visigoths and their Ostrogoth cousins in passing). The scope is world-wide, although outside the U.S. she devotes little space to anything besides the UK, Germany and Japan - isn't there a Goth scene in Russia by now? She also does so with a outrageous humor that is totally at odds with the usual media image as Goths as cheerless souls who hang around in dark corners obsessing about the sadness of life. There is even a subset called Perky Goths, Liisa informs us, who wear pink and are relentlessly cheerful (the black-clad corner lurkers, she says, are a subset known as Mopey Goths). There are also Trad Goths (who don't believe anything Gothic post-dates 1990), Cyber Goths (who are obsessed with technology, natch) and Faerie Goths (usually found chilling out at Renaissance Fairs), and so on. The book also gives a pretty good fast summary of the "progressive music" scene from the beginnings of punk to more-or-less the present, although obviously she concentrates on the groups of most interest to Goths. The book's one drawback is that it was complete up to 2011, when it was published - nothing changes faster that popular culture, and by 2014 it is in need of an update!

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Senin, 06 September 2010

[Y156.Ebook] Free PDF Secrets of Question-Based Selling: How the Most Powerful Tool in Business Can Double Your Sales Results, by Thomas Freese

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Secrets of Question-Based Selling: How the Most Powerful Tool in Business Can Double Your Sales Results, by Thomas Freese

Secrets of Question-Based Selling: How the Most Powerful Tool in Business Can Double Your Sales Results, by Thomas Freese



Secrets of Question-Based Selling: How the Most Powerful Tool in Business Can Double Your Sales Results, by Thomas Freese

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Secrets of Question-Based Selling: How the Most Powerful Tool in Business Can Double Your Sales Results, by Thomas Freese

"After I sent my team to the Question Based Selling program, not only was the feedback from the training outstanding, but we experienced an immediate positive impact in results."—Jim Cusick, vice president of sales, SAP America, Inc.

"Following the program, even our most experienced salespeople raved, saying QBS was the best sales training they have ever experienced!"—Alan D. Rohrer, director of sales, Hewlett Packard

For nearly fifteen years, The Secrets of Question Based Selling has been helping great salespeople live you deliver big results. It's commonsense approach has become a classic, must-have tool that demonstrates how asking the right questions at the right time accurately identifies your customer's needs.

But consumer behavior and sales techniques change as rapidly as technology—and there are countless contradictory sales training programs promising results. Knowing where you should turn to for success can be confusing. Now fully revised and updated, The Secrets of Question Based Selling provides a step-by-step, easy-to-follow program that focuses specifically on sales effectiveness—identifying the strategies and techniques that will increase your probability of success.

How you sell has become more important than the product. With this hands-on guide, you will learn to:

•Penetrate more accounts
•Overcome customer skepticism
•Establish more credibility sooner
•Generate more return calls
•Motivate different types of buyers
•Develop more internal champions
•Close more sales...faster
•And much, much more

  • Sales Rank: #47251 in Books
  • Published on: 2013-11-05
  • Released on: 2013-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .71" w x 6.00" l, 1.25 pounds
  • Binding: Paperback
  • 352 pages

About the Author
Thomas A. Freese, based in Atlanta, is the founder and president of QBS Research, Inc., which teaches Question Based Selling to salespeople around the country. The list of the author's clients includes IBM, Merrill Lynch, Compaq Computer Corporation, Northwestern Mutual Life, Sun Microsystems, Lucent Technologies, Cisco, GE Capital and MCI. Freese speaks to dozens of major corporations annually.

Excerpt. � Reprinted by permission. All rights reserved.

Introduction

THE "NEW" QUESTION BASED SELLING

Selling has become increasingly more difficult. Prospects have less time...yet decision makers are on the receiving end of more sales calls than ever before. With a boom in the number of products being offered, "No"has become the standard customer response, and the vast majority of these calls end in rejection.

This creates an interesting dilemma for salespeople and managers. When the risk of rejection is high, sales productivity tends to be very low. QBS reverses this trend by showing salespeople that the best way to increase their probability of success is to decrease their risk of failure.

Since I published my first book (Secrets of Questions Based Selling) some thirteen years ago, the selling environment has changed-in some ways dramatically, while other changes are very subtle. That's the difference between my original book and this updated version, the new Secrets of Question Based Selling. Now that I have trained hundreds of sales teams over the last fifteen years, I've discovered the QBS methodology has evolved significantly from my first work. Not surprisingly, many of the base concepts still apply-things like the need to establish credibility, pique the customer's interest, and minimize your risk of failure-all of which are indeed timeless. But, my intention with this updated version of the book was to enhance those concepts by including many of the metaphors, anecdotes, and syllogisms that have made Question Based Selling the top-rated sales course that our clients have ever experienced.

Ultimately, selling is a creative act-one that requires salespeople to go out into their respective markets and create business opportunities that otherwise wouldn't exist. This means knocking on unfamiliar doors. It also means picking up the telephone and calling new prospect accounts. Of course, once you get in, the focus changes from engagement to further developing the opportunity. This includes uncovering prospect needs, building value around your solutions, and securing the prospect's commitment to move forward.

Sounds easy, doesn't it?

It isn't. In fact, for most salespeople it's becoming increasingly difficult to secure a precious slice of the customer's time and attention, not to mention cracking into new prospect opportunities.

I am perhaps the only author/trainer who is willing to come right out and state that there is a problem in the world of sales training-where it has become very unclear which sales programs are the most effective given all of the conflicting information floating around the marketplace.

The positioning of different sales training courses is crazy! While one program touts the value of "Getting to Yes," another program focuses on the value of "Getting to the No." So which is it? Should we be shooting for a "yes," or "no"? Similarly, consultative selling has become a common buzzword in training circles for some time now, but the interpretations of what "consultative selling" is runs the gamut from SPIN Selling, to Power Base Selling, Solution Selling, Target Account Selling, and Strategic Selling, each of which contradicts the next in one way or another. Trust me, I've been through all of these programs (and more) during my years as a sales rep and also as a manager. Knowing where to turn for success can be very confusing.

The truth is, most of the sales training that has been delivered over the past twenty years has been process oriented. Don't get me wrong. Defining the steps of the sales process and having some sense of organizational consistency is important and necessary. Formalizing a sales process was particularly faddish back in the 1990s, which is when many of these programs really took off.

What process training attempts to do, however, is define the steps of the sales process. For example, I just read an article written by an entrepreneur espousing the value of the five-step model that he learned while at Procter & Gamble. Step 1: Summarize the Situation. Step 2: State the Idea. Step 3: Explain It. Step 4: Discuss. Step 5: Close. The author of this article refers to this five-step regimented sales process as "brilliant."

Other companies promote a slightly different sales process, where Step 1 is: "Identifying New Opportunities," followed by Step 2: "Qualify," Step 3: "Uncover Needs," Step 4: "Propose Solutions" ...and so on.

Whichever model you settle on is immaterial from the QBS point of view. I say this because the steps are irrelevant. If you looked more closely at the reps using the Procter & Gamble model, you would very quickly notice that some of them were successful, while others continually struggled to keep their heads above water. If they are all using the same process model, why are their sales results so different?

The difference between success and failure at most companies is not related to the brilliance of whoever outlined the steps of the sales process. The difference between success and failure is more closely related to the execution of the steps within the sales process. Therefore, instead of just redefining the sales process, what salespeople and managers really want to know is something else. They want to know how to identify more new opportunities? How to be more effective at qualifying new opportunities? How do you uncover more needs in order to give yourself an opportunity to provide more value? And, how can you close more sales faster?

Question Based Selling very specifically focuses on sales effectiveness-identifying those strategies and techniques that will increase the salesperson's probability of success, while at the same time discarding whatever may reduce your risk of rejection. To me, success is about execution. Simply put, salespeople who are killing it are doing so because of their ability to successfully execute the various steps of the sales process. On the flip side, sellers who are not executing effectively face a significant disadvantage.

It's worth noting that the actual steps of the sales process are pretty consistent from company to company. Thus, just identifying the steps of the sale does not afford you any advantage over your competitors who have a similarly formalized sales process in place.

How well are you executing each of these steps? That's a question only you can answer. But, I must tell you that I have yet to meet a salesperson who didn't want to take their game to the next level.

With regard to QBS methodology, ask yourself this question: Why do companies all over the world spend millions of dollars telling salespeople what to say, but they invest almost nothing when it comes to teaching them what to ask?

I still can't figure out why most of the sales training offered today is geared toward teaching people to sound the same as everyone else. Back when I was a fledgling salesperson, I tried to do everything in my power to differentiate myself from the competition, as opposed to commoditizing my company's value proposition with industry buzzwords.

Today, the effectiveness of the individual salesperson has become more important than the products they sell or the company they represent. All you have to do is glance around your industry and you will see that some salespeople are more significantly more effective than others, even though they are selling the same types of products to the same target audience.

Therefore, the real challenge sellers face is less about defining the steps of the sales process, and more to do with figuring out how to execute more effectively. Things like: How can you pique the prospect's interest to penetrate more new opportunities? How do you earn enough credibility to compete for mindshare from key decision makers within important target accounts? How can you create the sense of urgency needed to move deals forward? Or better still, how can you cause skeptical customers to "want to" share information with a salesperson they don't yet know or trust? As well as, how can you increase your "return on invested sales effort," enough to secure an "unfair" advantage over the competition? The goal of executing more effectively is ultimately about understanding how to close more deals, at higher margins, in reduced time, and with less effort.

Secret #1

Effective execution is more important than just defining the steps of the sales process.

Unfortunately, the sales profession in general has responded poorly to recent business trends. As prospects and customers have had to become more judicious with their time, salespeople have started pushing even harder to get a foot in the door. How do prospects respond to being pushed? Most push back in some way. When sellers call, some prospects get frustrated and hang up immediately. Others program their phones to roll directly into a voice-mail system, or they use caller ID to hold salespeople at arm's length. Invariably, that means the next salesperson who calls on the account will have to work even harder than the last. It also means they inherit the negative baggage created by all the previous callers.

When you combine reluctant prospects with pushy salespeople, it's not surprising that the average success rate when contacting new prospects has declined significantly. Depending on which article you read, the average "hit rate" for engaging new prospects is between 2 and 5 percent. So, out of every one hundred sales calls, the average salesperson will uncover only a small handful of qualified opportunities. What if we could change that? What if this initial call number could be increased to as much as 70 or 80 percent? Would that help your selling efforts?

One of my goals when I first developed QBS was to simplify the sale. We accomplished this by identifying the activities, strategies, and actions that increase your probability of success, and then incorporated those things into the sales process. But, rather than ignore the n...

Most helpful customer reviews

8 of 8 people found the following review helpful.
Does "New" just mean a rewrite to you? Not with Tom Freese...
By Sellforlife
This "gold edition" takes QBS to the next level. I first started my QBS journey 14 years ago and this latest from Tom just reinforces that I made the RIGHT decision! What I like most is that Tom does not let his thinking stagnate. On the contrary this rewrite contains "net new" information that leaves traditional approaches further behind. Given the evolving markets that we sell into, just taking the same old traditional tired approach (that others espouse) to selling makes no sense. Well with "Secrets of Question Based Selling" we now have an expert guide on how to best rethink our approach to selling to keep up with our customers and more importantly stay ahead of the competition.

I have been selling for over 30 years...and keeping up with the information from Tom Freese allows me to refresh my thinking, engage in a more confident way and come across as more than just another sales rep. QBS also causes my customers and prospects to engage in more productive conversations, start to ask me for assistance before I even start selling and allows me to create the kind of competitive separation in the market I need to succeed.

Bravo on yet another "Gold Standard" for those of who sell for a living!!

4 of 4 people found the following review helpful.
For students of the practice of selling, QBS is ...
By Ian McLean
For students of the practice of selling, QBS is at graduate school level. While the content is challenging and powerful, Thomas Freese's writing style and format make it readily doable. I've learned more from him in a few days careful, focused, thoughtful study than from all previous sales reading combined. This book has closed a bunch of gaps and opened a world of opportunity. Exceptional value.

2 of 2 people found the following review helpful.
Successfully used across multiple industries and many different sales environments.
By R.Bellessa
I have a large collection of "sales books". The reason why I put Question-Based Selling (QBS) so high on my list is mainly due to the content being successfully used across multiple industries and many different sales environments. There are a few chapters that could be updated (reason for 4 and not 5 stars), but the fundamentals of asking the right questions will always be key to being a successful salesman. QBS does not replace predictable revenue, The Sales Bible, or Challenger Sale. It is a compliment to all other sales processes. I have used what I learned door to door, to selling B2B SaaS solutions currently.

See all 32 customer reviews...

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Minggu, 05 September 2010

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Seeds of Contention: World Hunger and the Global Controversy over GM Crops (International Food Policy Research Institute), by Per Pinstrup

In recent years the media have reported, frequently with alarm, on the increasing use of genetically modified crops in agriculture. Some groups have expressed concern about consumer safety and the risks of large-scale ecosystem damage. Others have noted the resulting shift of power away from locally controlled farming operations toward large agribusiness and biotech companies, and the particular vulnerability of farmers in the developing world to this trend.

In Seeds of Contention: World Hunger and the Global Controversy over GM Crops, development specialists Per Pinstrup-Andersen and Ebbe Schi�ler focus attention on the less discussed issues of the potential benefits and costs of genetically modified crops for developing countries. Pinstrup-Andersen and Schi�ler review the basic issues and discuss the potential that such crops have for addressing the great needs of poor and undernourished peoples throughout the world. They explain how increased agricultural productivity is not enough in addressing the problem of famine. People in developing countries need crops that are disease-resistant, can fend off insect predators, and can withstand severe environmental conditions in order to produce larger crop yields.

Pinstrup-Andersen and Schi�ler are sober in their assessment of these prospects, for they acknowledge that GM crops alone will not solve the world's food problem. They argue, however, that they may be one element in the solution and people in developing countries should have information about benefits and risks and the freedom to make their own decisions about whether or not to grow and consume GM crops.

  • Sales Rank: #2692753 in Books
  • Brand: Brand: International Food Policy Research Institute
  • Published on: 2001-09-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .47" w x 5.50" l, .47 pounds
  • Binding: Paperback
  • 176 pages
Features
  • Used Book in Good Condition

Review

A timely contribution on an important issue. It is great to have an unemotional, broad-based assessment of genetically modified crops.

(Lester Brown, Worldwatch Institute)

This book presents a balanced perspective on the potential benefits and risks of modern biotechnology for developing-country food and agriculture and suggests action to reduce risks and increase benefits. It is an excellent and highly welcome addition to the ongoing debate on biotechnology and GM foods.

(Gordon R. Conway, President, The Rockefeller Foundation)

A contentious debate has surrounded the rising use of genetically modified crops in agriculture... This volume succeeds well in explaing the technical issues involved and in presenting a balanced view of competing views.

(J.B. Population and Development Review)

This book is very much appreciated for focusing the debate on the right of developing countries to make their own decisions about this controversial technology.

(European Review of Agricultural Economics)

The authors are to be congratulated for explaining the difficult issues in such a readable and engaging way, without compromising the scientific integrity.

(C. Ramasamy Indian Journal of Agricultural Economics)

Synoptic and well founded assessment.

(Daniel Alker Quarterly Journal of International Agriculture)

From the Publisher
"This book presents a balanced perspective on the potential benefits and risks of modern biotechnology for developing-country food and agriculture and suggests action to reduce risks and increase benefits. It is an excellent and highly welcome addition to the ongoing debate on biotechnology and GM foods."—Gordon R. Conway, President, The Rockefeller Foundation

About the Author

Per Pinstrup-Andersen is director general of the International Food Policy Research Institute. Ebbe Schi�ler is a consultant in research and development issues primarily related to agriculture.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Joe Bristol
More people should read this book. It is not a technical book more journalistic in style.

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